一旦你熟悉日志，原料和扁录音之间的差异，探讨两种不同方法纠正那画面的颜色。首先，帕特里克显示你如何手动，颜色正确使用传统工具在达芬奇的决心。然后，他解释了如何使用查找表 (LUT)，讨论 LUT 的长处和局限性。
Title: Lynda – DaVinci Resolve Guru: Color Correcting Log, Raw, and Flat Footage
In this installment of DaVinci Resolve Guru, explore the concepts of log and raw footage. Colorist Patrick Inhofer underscores the disparity between the two recording methods and shows you how to tell the difference when using DaVinci Resolve. This course also shows you how to set your raw settings for a project and individually, shot by shot. Explore the concept of color correcting flat footage shot on a DSLR and how that differs from shooting log and raw.
Once you’re familiar with the differences between log, raw, and flat recordings, explore two different methods for color correcting that footage. First, Patrick shows you how to color correct manually, using the traditional tools in DaVinci Resolve. Then, he explains how to use lookup tables (LUT), and discusses LUT strengths and limitations.